Exhibitions and publications of the VERBUND COLLECTION
Programme
Exhibitions and publications of the VERBUND COLLECTION
ORLAN. SIX DECADES: The first German-language monograph of the French artist including English translation, edited by VERBUND COLLECTION.
VERBUND COLLECTION: The art collection of VERBUND
The VERBUND COLLECTION was created in 2004 by VERBUND AG, Austria’s leading power company and one of Europe’s leading producers of electricity from hydropower. It is a first-class company collection with a contemporary, international focus.
Years of the VERBUND COLLECTION
Artists
Artworks
Publications
ASPIRATION of the VERBUND COLLECTION
We want to discover artistic positions that were previously hidden, make them visible, and leave a trace in the cultural memory and in art history.
That is why the VERBUND COLLECTION places art from the 1970s in dialogue with present-day positions. At this time, many artists moved away from painting and created entirely new forms of expression. They began to discover their own bodies as a medium. Photography, video, film and performance became established as independent art forms.
MAXIM
In accordance with the maxim “Depth not breadth”, entire groups of works of artists are collected in order to facilitate a deeper discussion of the creative phases. In line with this maxim, we publish monographs on the collection’s female artists: Birgit Jürgenssen, Cindy Sherman, Francesca Woodman, Renate Bertlmann and Louise Lawler.
We want to discover artistic positions that were previously hidden, make them visible, and leave a trace in the cultural memory and in art history.
That is why the VERBUND COLLECTION places art from the 1970s in dialogue with present-day positions. At this time, many artists moved away from painting and created entirely new forms of expression. They began to discover their own bodies as a medium. Photography, video, film and performance became established as independent art forms.
MAXIM
In accordance with the maxim “Depth not breadth”, entire groups of works of artists are collected in order to facilitate a deeper discussion of the creative phases. In line with this maxim, we publish monographs on the collection’s female artists: Birgit Jürgenssen, Cindy Sherman, Francesca Woodman, Renate Bertlmann and Louise Lawler.
The VERBUND COLLECTION introduces itself
FOCUS ON FEMINIST AVANT-GARDE
In order to emphasise the pioneering work done by the female artists of the 1970s, Gabriele Schor coined the term “Feminist Avant-Garde”. This focal point encompasses almost 600 artworks by 85 artists. They make a theme of their bodies, question the diktat of beauty, and deal with the construct of female identities. Since 2010, the exhibition of the same name has toured to 15 cities in Europe and has been on display in venues including the Centre de Cultura Contemporánia in Barcelona, the Centre for Art and Media in Karlsruhe and in the Museum of Modern Art Ludwig Foundation, Vienna.
FOCUS ON THE PERCEPTION OF SPACES AND PLACES
The focal point “Perception of spaces and places” creates links between groups of works that deal with spatial phenomena. It includes works by Bernd and Hilla Becher, Janet Cardiff and George Bures Miller, Joachim Koester, Louise Lawler, Gordon Matta-Clark, Fred Sandback, and Jeff Wall.
The permanent intervention Yellow Fog by Olafur Eliasson on the façade of the VERBUND building also belongs to this focal point and can be seen daily at sunset.
| FEMINIST AVANT-GARDE of the 1970s | PERCEPTION OF SPACES AND PLACES | IDENTITY |
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Helena Almeida Emma Amos Sonia Andrade Eleanor Antin Anneke Barger Anne Bean Lynda Benglis Judith Bernstein Renate Bertlmann Tomaso Binga Dara Birnbaum Teresa Burga Marcella Campagnano Elizabeth Catlett Judy Chicago Linda Christanell Veronika Dreier Orshi Drozdik Lili Dujourie Mary Beth Edelson Renate Eisenegger Rose English VALIE EXPORT Gerda Fassel Esther Ferrer Eulàlia Grau Marisa González Barbara Hammer Margaret Harrison Lynn Hershman Leeson Alexis Hunter Mako Idemitsu Sanja Iveković Anne Marie Jehle Birgit Jürgenssen Kirsten Justesen Anna Kutera Auguste Kronheim Ketty La Rocca Leslie Labowitz Suzanne Lacy Katalin Ladik Suzy Lake Brigitte Lang Natalia LL Lea Lublin Karin Mack Dindga McCannon Ana Mendieta Annette Messager Anita Münz Rita Myers Senga Nengudi Lorraine O’Grady ORLAN Florentina Pakosta Gina Pane Letícia Parente Ewa Partum Friederike Pezold Margot Pilz Howardena Pindell Ingeborg G. Pluhar Lotte Profohs Angels Ribé Faith Ringgold Ulrike Rosenbach Martha Rosler Brigitte Aloise Roth Suzanne Santoro Carolee Schneemann Lydia Schouten Elaine Shemilt Cindy Sherman Penny Slinger Annegret Soltau Anita Steckel Gabriele Stötzer Betty Tompkins Regina Vater Marianne Wex Hannah Wilke Martha Wilson Francesca Woodman Nil Yalter Jana Želibská |
Vito Acconci Francis Alÿs Uta Barth Bernd und Hilla Becher Johanna Billing Barbara Bloom Ulla von Brandenburg Tom Burr Janet Cardiff und George Bures Miller Georgia Creimer Olafur Eliasson Ceal Floyer Simryn Gill Teresa Hubbard und Alexander Birchler Joachim Koester Moussa Kone Louise Lawler Gordon Matta-Clark Ursula Mayer Anthony McCall Ernesto Neto Loan Nguyen Ingo Nussbaumer Gabriel Orozco Erkan Özgen, Sener Özmen und Cengiz Tekin Elodie Pong Wilfredo Prieto Ed Ruscha Mario Sala Fred Sandback Melanie Schiff Chiharu Shiota Simon Starling Annika Ström Sergio de la Torre Joëlle Tuerlinckx Jeff Wall Lawrence Weiner James Welling Christopher Williams David Wojnarowicz |
Peter Atanasov |
The international Advisory Board is made up of Gabriele Schor, founding director of the VERBUND COLLECTION, Jamillah James,senior curator at the Museum of Contemporary Art in Chicago, and Catherina Wood, director of programme at the Tate Modern in London.
Members of the Board of Trustees
Philipp Kaiser: independent curator in Los Angeles (former director of Museum Ludwig in Cologne)
Jessica Morgan: director of the Dia Art Foundation in New York (former curator at the Tate Modern in London)
Camille Morineau: founder and head of AWARE (Archives of Women Artists, Research and Exhibition) (former curator at the Musée National d’Art Moderne and Centre Pompidou, Paris)
Sean Rainbird: director of the National Gallery Ireland (former curator at the Tate Modern in London)
Marc-Olivier Wahler, director of the Chalet Society in Paris (former director of the Palais de Tokyo in Paris)
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National borrowers
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International borrowers Aargauer Kunsthaus, Aarau, Germany |
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